Flying by the seat of your, um... pants: etiquette and social cues for the art model (part 1)

First in a two-part series. I got started and there was waaaaay too much to detail in a single blog post.

As we grow up, we learn certain social skills that teach us how to act in group settings. People such as our parents, relatives, teachers, religious figures, etc. all had a part in shaping the kinds of people we are (or aren’t!). We learned basic social mores and means of interaction: you know, don’t ask how much someone makes, you look people in the eye, you don’t ask how much people weigh, stuff like that. You learn about all those unwritten rules of social interaction and that helps mold and guide your actions.

But that gets turned upside-down when you take your clothes off for a living! Let’s face it… nudity is honestly a societal no-no for the most part, and for plenty of good reasons. There’s a time and a place for it, but it just doesn’t crop up much. But in the art world, there’s definitely a need for that rare breed that can shed their clothes and bare it all in front of complete strangers.

How do you act when you’re naked on the podium? When do you communicate with people? How do you communicate with people? To wear a robe or not to wear a robe? There’s a whole slew of values and mores you need to pick up on, quickly, if you’re giving serious thought to becoming a model. But the very act of sharing your nude form with strangers is one of the most intimate things you can do, and there really isn’t a rulebook for it. Yet you’re going to be judged on the way you act and comport yourself, even though there’s really no playbook for it!

For me, I was making it up as I went along. I’m usually a pretty good reader of character. But a lot of it was flying by the seat of my pants. Figuring out how I was supposed to act in a certain situation, and then hoping I made the right choice.

So what I’d like to do with this post is to go over some things you want to consider if you’re thinking of modeling, and hopefully give you some good advice and point out a few things so you don’t have to make the same mistakes that others may have made in the past.

To talk or not to talk: This is probably one of the hardest things to determine, so I’d like to talk about it first. You have breaks when you model, and it’s only natural to want to fill the silence with small talk. I generally am very gregarious before and after sessions, when I’m clothed. But when I’m chilling out between poses, I tend to keep to myself. This is your call to make, but I’ve just found it “feels” better and seems to be the “right” thing to do if I make conversation only when spoken to.

I think that if you’re a guy, and you’re being talkative and going around and looking at other people’s art, you might get pegged as “that guy.” Even if you have a robe on. I have no concrete evidence to support this one bit, but the “read” I get the longer I do this is that it just feels more natural to keep to myself between breaks and stretch out and maybe read a book. I suspect that if I was a woman, I’d still refrain from making idle chatter because I wouldn’t want to be viewed as an attention whore.

And, as it takes a certain kind of person to willingly bare themselves (mentally and physically) in front of others, some of these people can be rather… distinct, perhaps, in terms of personality (I know I am!). But what I’m getting at here (and you’ll see me discuss this at length elsewhere) is you don’t want to even give someone the thought that this is Date Night for you. I guarantee you any attempts to be overly friendly, man or woman, fit or unfit, attractive or unattractive, are just going to rub people the wrong way. And you have to be aware that, even if certain signals you're giving off aren’t your intention, they may be seen as such anyways, and that’s why you need to constantly evaluate how you present yourself in a modeling session.

Some of the models I’ve seen have struck me as being a bit cold and aloof, and I know exactly why that is: they want to be seen as models, not pickup artists. I try to counter this by being really friendly and outgoing before and after class, and cheerfully doing whatever it is I’m asked. But yeah, I’d rather be seen as “that stuck up guy” than “that perv who walks around without his robe and talks to people.” Think of it as working in an office environment with close friends: you can be informal off the clock, but when it's time for work, you're all business. I truly believe people can and do pick up on this.

Now if someone comes up and makes conversation with me, then that’s different. I’m more than happy to talk! And I will say it’s a little weird turning around to cinch up your robe, and there’s someone standing next to you wanting to ask you a question or just talk. I consider myself to be my own ambassador when I model, so I’m more than happy to answer questions when people come up to me, and accept compliments humbly!

Also, you may find there will be occasional times (particularly if people are wrapping up in the last few minutes of a session) that people may ask you questions or talk idly to you. Take an "internal pulse" of the situation, and if you think people are okay with it (in most cases it's because the instructor was one of the ones doing this), then go for it! Just don't break pose!

To walk or not to walk: During breaks, you may be tempted to check out the great art that those around you are drawing. But you might also be a little apprehensive about it. Generally, I've found most venues don't really mind if you walk around and scope out what people are creating.

To be honest, though, I generally don't. I don't want people thinking I'm putting them under the microscope, especially that a lot of my gigs are academic in nature, and tend to be beginner's classes at that. Now, if someone asks me to check out their art, I'll gladly do so. But I just generally find that I feel I'm actually respecting people more if they're not thinking that I'm critiquing or judging their work (which you should never do). That's just my feeling on the matter, and plenty of models robe up and take a look at the various interpretations of them that others have created. It's really your call. I just tend to err on the side of giving people privacy.

To robe or not to robe: I always bring a robe with me to my scheduled modeling sessions. I say “scheduled” because there might be times where the model for a given night might have to bail, and you get tapped to fill in. And you might not have your robe with you.

I am personally advising you, whenever possible, to wear your robe. Yeah, they’re going to see you naked soon. And during the session, they’ve already seen you nude at least once.

Wear the robe anyways. Like I said, there’s a time and a place to be nude, and when you’re not posing, that’s your time to not be nude.

Sometimes you have to make do. A few months ago, one of my friends called me in a panic because she was supposed to model for a drawing group that night, but she just landed a new job and was super busy. So she called to ask me if I could fill in. After making sure she okayed it with the person running the group (some people don’t like to work with new models. Others have a particular gender scheduled on a given night for a reason, and some people aren’t happy if the replacement is of a different gender). Sure enough, he called me back to give me the 411. I cautioned him that I didn’t have a bathrobe with me since I wasn’t expecting to model, and he said that was okay. So I asked if he had a bathrobe, towel, drape, something to cover myself. He said he could drum something up, but it wasn’t a big deal if I chose not to.

I admire that. He’s taking a chance on a new model, sight unseen, and says it’s totally chill that I don’t have a robe. His people just want someone to draw! But I still asked for something to cover myself with anyways. It seems weird, doesn’t it? How you can just display your naked body and still want a modicum of modesty at the same time?

So I ended up draping myself with what must’ve been a curtain. I looked like Caesar! And truth to tell, if it was someone I knew already, and if there wasn’t anything to cover myself with, I most likely would have agreed to it. But this was my first time working with a new drawing group, and I thought it would be only professional to ask for something to cover myself with during breaks.

And let’s face it: they’re there to draw you nude. They’re not there to look and hang out with you nude. So cover up!

Now, if you model enough, you’re going to find yourself in the occasional “grey” area where you might not know if you should cover up or not. And you’re going to kind of have to take the pulse of the room and use those nude social cues you’ve hopefully been picking up on to determine if you need to cover up.

Case in point: there have been several instances where, after a few poses, the professor I was working for told the students to go ahead and quickly move their easels if they wanted to change where they were sitting. I was told to just hang out, so to speak, for a minute or two. If you’ve never just “hung out” nude, it’s definitely a bit disconcerting. I mean, you know you have to pose nude. But it’s weird just standing around twiddling your thumbs naked in front of a class for a few minutes until everyone gets situated. There’s really no point in putting your robe back on, and in each case, the indication was clearly that I didn’t need to put something on. My advice in these situations is to just roll with it. You can always sit/kneel so that your more private areas are out of sight if you want.

Another example: sometimes you’ll be asked in an academic setting to pose for a minute or two, where the students do nothing but observe you. And then the professor will tell you to break pose and have the class draw you from memory for a few minutes. This has happened several times, and in each case, I could just tell without having to be told that it was expected that I’d remain nude while the students drew me, even though I wasn’t posing. They had several minutes to draw me from memory, and then we moved on to a new pose. Getting in and out of a robe would honestly be impractical, so I thought I’d just remain nude unless whoever was teaching the class suggested I put my robe on.

That never happened. But you’ve got to realize how awkward it can feel standing around naked while students are doing there thing, the professor is doing his/her thing, and you’re just kind of left to twiddle your thumbs!

Similarly, there are going to be times where you find yourself needing to disrobe away from the podium and walking several feet until you can get on it. This is usually the case when the podium is in the middle of the room. I don’t like leaving my robe on the podium (unless I plan to use it to sit on a chair or stool) since it’s a bit of a distraction, and I don’t dare throw it on the floor (art classes are, as a rule, generally messy. And you’d be amazed at how thumbtacks just seem to end up on the floor and not the walls), so there have been times I’ve disrobed along the wall, placed my robe on a chair, and walked the six or seven feet to the podium. It felt weird the first time I did it, but no one said anything. Still, I try to minimize the time I’m nude. Not because I’m ashamed, but because I believe you don’t really need to be nude much longer after your poses are complete.

Sometimes, though, you can forget you’re nude, as strange as that seems! Remember when I talked about that drawing group where I used a drape to cover me? Well, this drape was probably about 10 feet long and actually weighed a good deal. So when I was done for the night, I just placed it on the podium and made a beeline for the bathroom (which was in the next room) so I could get changed. Well, as I was heading towards the bathroom a few of the artists were saying how nice it was that I was able to fill in for my friend A, and one of the artists jokingly said “I was going to say, you don’t look like A!” Now my friend A is female and I’m, well… not female, if you haven’t picked up on it :) So naturally my instinct was to turn around and talk to her since she clearly knew A, and I started to discuss how I knew her, and next thing you know, we’re having a full-on conversation for several minutes and I happen to realize that I’m still nude!

Clearly, it was no big deal to the people that were there, and it’s not like I was doing anything pervy. But here I was leaned up against the door frame talking to several complete strangers for a few minutes while utterly naked! And while no one was offended in the least (I was invited back), I realized that I broke my cardinal rule about nudity and modeling.

But what this story goes to show is that if you model long enough, you actually stop getting awkward about nudity. Someone far wiser than me quipped that it isn’t the nakedness that’s so scary about modeling. It’s the getting naked that’s so freaky. I agree! Until a few months ago, I’d frequently get nervous waiting to drop my robe for the first time, but when I was nude and on the podium, I was completely fine! And this seems to be a consensus among a lot of art models. What I’m getting at is that the more you model, the more you’ll eventually be comfortable in the nude, to the point where it seems almost like it’s second nature, much like I felt above. So the more comfortable you get, the more you need to remind yourself from time to time to not get too comfortable. There are definitely limits!

In short, the more modest you are, I believe the more likely it is that you’ll be asked back. Men and women who wear robes during breaks and read books during downtime don’t make people feel uneasy. Men and women who are overly-comfortable in their nudity and go out of their way to make idle chatter with artists make people feel uneasy.

Look for a followup post in the coming days—I definitely have more to say, but not enough space to say it :)